The cross is inscribed at the limit between the calm blue surface and the white surface agitated by the splashes of the brush during the making of the trace. Piccinelli's painting tries to situate itself on this limit between 2 worlds.

(SINGULART)"...in London it is rather the gestural dimension that is highlighted in works that no longer record the artist's technical and artisanal know-how; but the instinctual immediacy of an energy that unfolds in materializing as a trace of an experience and an action."

"The gesture and the trace"

John ListaEvery work starts with a gesture: the creative gesture; in the figurative sense; which is expressed by a physical gesture: drawing; painting; rubbing; sculpting; modeling; etc.The trace of the gesture in painting in the light of cognitive sciences

Judith Haziot Schreiber