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Dolomiti Dance
Dolomiti Dance

Dolomiti Dance

,

2026

Patrick Piccinelli

Dolomiti Dance

2026

acrylic paint, varnish on canvas

acrylic paint, varnish on canvas

45

X

45

45

X

45

Available

€

1,600

Shipping and import duties included

Shipping and returns
Shipping
Packed in a double-wall box or a wooden crate and shipped from Switzerland by DHL Express within 2 to 3 days. Delivery takes 2 to 15 business days; the tracking number comes by email.
Import duties
Shipping, customs duties and import taxes are paid by us, for every country. Nothing is due on delivery.
Returns
An original painting cannot be returned or exchanged. A parcel lost or damaged in transit is refunded in full or replaced.


"Dolomiti Dance" appears on Ralph Towner's 2017 album "My Foolish Heart" on ECM, recorded solo on classical guitar.

The composition alternates between density and breath, an almost choreographic rhythm of fullness and emptiness.

Texture as a musical gesture. The fine, repeated vertical striations recall dense, scattered lines of notes, evoking what critics call Towner's "super-detailed" and "busy" work on this piece. Conversely, the flat brown areas, quieter and more massive, can be interpreted as sustained chords, the resonant spaces between two rapid phrases—this alternation between delicate virtuosity and dense texture runs through both the guitar playing and the canvas.

The geometric structure as a dance score. The division into two horizontal registers and several vertical columns suggests a rhythmic structure, almost measure by measure, like the regulated steps of a dance.


"Dolomiti Dance" appears on Ralph Towner's 2017 album "My Foolish Heart" on ECM, recorded solo on classical guitar.

The composition alternates between density and breath, an almost choreographic rhythm of fullness and emptiness.

Texture as a musical gesture. The fine, repeated vertical striations recall dense, scattered lines of notes, evoking what critics call Towner's "super-detailed" and "busy" work on this piece. Conversely, the flat brown areas, quieter and more massive, can be interpreted as sustained chords, the resonant spaces between two rapid phrases—this alternation between delicate virtuosity and dense texture runs through both the guitar playing and the canvas.

The geometric structure as a dance score. The division into two horizontal registers and several vertical columns suggests a rhythmic structure, almost measure by measure, like the regulated steps of a dance.

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