This work is framed but without glass.Patrick Piccinelli is influenced by the sense of purity and the place of emptiness in Korean and Japanese aesthetics. This composition is a tribute. Although the painter does not know the origin of the typographic characters contained in one of the elements of the collage.

So would you agree with the thesis put forward by the critic Isabelle Graw in her book “The Love of Painting” (2018; Sternberg Press); whereby painting has an exceptional place in this post-medium age? In her book Graw says that; in recent years; painting has not only been the object of growing interest; as is shown by the number of show.

Vincent Pécoil: interview with Elena Cardin about the exhibition “Millennials; Paintings 2000-2020”; 02 contemporary art review; fall 2020; no 94.