The work is based on a cross-shaped composition—two rectangular bands that intersect perpendicularly, forming a rigorous grid. This geometric architecture evokes a tension between order and chaos, between the structuring framework of a new beginning and that which overflows, that which resists. The first morning of the year is a point of intersection: between what ends and what begins, between the night that has passed and the dawning day. The cross materializes this suspended moment, this pivotal instant where two temporalities meet.