Memory as a fragmented structure:

The title evokes an auditory memory—neither visual nor olfactory, but aural. This sound is elusive and non-linear; it overlaps and fades. The artwork bears its traces: autonomous zones and distinct graphic registers that coexist without ever fully merging, much like the sonic layers of a city.

Writing as phoneme:

The calligraphic gestures at the center—hovering somewhere between graffiti and Japanese script—are not literally legible. They resonate rather than speak. I am reminded of kanji glimpsed in motion, of neon signs, and of the voices of a city where the words are no longer audible, yet the rhythm remains.

In a sense, I have reconstructed the mental texture of an auditory memory of the city: its layers, its heavy silences, its graphic energy, and the few chromatic details that resist oblivion.