The title evokes a delicate and almost imperceptible presence—hearing a bluebird fly in the shadows.

The successive frames create conceptual "shadows," transitional spaces where something can exist without being fully visible. The brushstrokes, splashes, and traces suggest flight, passage, the ephemeral.

I wanted an omnipresent blue: the color of the bluebird, but also of the sky, the air, the immaterial.

This tension between seeing and perceiving, between presence and absence, fascinates me. The blue becomes both subject and environment; the bird and its shadow merge in this lyrical abstraction.