Fall
,
2026
Patrick Piccinelli
Fall
2026
acrylic paint, pigment
acrylic paint, pigment
30
X
30
30
X
30
Available
€
500
Shipping and import duties included
Shipping and returns
- Shipping
- Packed in a double-wall box or a wooden crate and shipped from Switzerland by DHL Express within 2 to 3 days. Delivery takes 2 to 15 business days; the tracking number comes by email.
- Import duties
- Shipping, customs duties and import taxes are paid by us, for every country. Nothing is due on delivery.
- Returns
- An original painting cannot be returned or exchanged. A parcel lost or damaged in transit is refunded in full or replaced.
Inspired by the track "Fall" by Miles Davis.
The work is a small piece on paper, in a mixed technique close to collage, presented in a white mount that sets it apart like a precious object. It is signed and dated at the bottom: "Patrick Piccinelli "Fall" 2026".
The work is sold with the mount.
Painting size: 12.5 x 12 cm.
Overall size: 30 x 30 cm.
It is divided into two registers:
At the top, a rectangle of orange, saffron yellow and pale pink, very textured, with impasto, scraping and spatter. This surface evokes foliage or an autumn sky.
At the bottom, a chalky, grainy, almost mineral white area, like a silence after the warmth above.
The title: Fall
The English word has two meanings, and the work plays on both:
Autumn: the palette of orange, ochre, yellow and red is that of turning leaves.
The fall: the red strokes drop like drops, of rain or of leaves. The X motif, between verticals that descend and diagonals that cross, gives the idea of a movement that collapses and catches itself. The open frame adds instability: the structure does not entirely hold.
The link with Fall by Miles Davis
This piece, composed by Wayne Shorter, appears on the album Nefertiti (recorded in 1967, released in 1968). It is played by Miles's second quintet. Here are some possible connections, between perception and interpretation.
An autumnal melancholy. The theme of Fall is suspended, twilit, without showy brilliance. The warmth of the orange and yellow, tempered by the paleness of the pink and white, produces the same feeling of a beauty in decline.
The line as cymbal. The fine, nervous, almost rain-like lines recall cymbal playing, a continuous crackle that lets the sound breathe rather than carrying it.
Space and silence. Miles is the master of what is not played. The large white area at the bottom, also crossed by lines but as if muted, works like those breaths where the music withdraws.
Formal openness. The red frame that does not close evokes the open harmony of the post-bop of that period: a structure that exists, but that one senses could tip over. Here the fall is a suspension...
Inspired by the track "Fall" by Miles Davis.
The work is a small piece on paper, in a mixed technique close to collage, presented in a white mount that sets it apart like a precious object. It is signed and dated at the bottom: "Patrick Piccinelli "Fall" 2026".
The work is sold with the mount.
Painting size: 12.5 x 12 cm.
Overall size: 30 x 30 cm.
It is divided into two registers:
At the top, a rectangle of orange, saffron yellow and pale pink, very textured, with impasto, scraping and spatter. This surface evokes foliage or an autumn sky.
At the bottom, a chalky, grainy, almost mineral white area, like a silence after the warmth above.
The title: Fall
The English word has two meanings, and the work plays on both:
Autumn: the palette of orange, ochre, yellow and red is that of turning leaves.
The fall: the red strokes drop like drops, of rain or of leaves. The X motif, between verticals that descend and diagonals that cross, gives the idea of a movement that collapses and catches itself. The open frame adds instability: the structure does not entirely hold.
The link with Fall by Miles Davis
This piece, composed by Wayne Shorter, appears on the album Nefertiti (recorded in 1967, released in 1968). It is played by Miles's second quintet. Here are some possible connections, between perception and interpretation.
An autumnal melancholy. The theme of Fall is suspended, twilit, without showy brilliance. The warmth of the orange and yellow, tempered by the paleness of the pink and white, produces the same feeling of a beauty in decline.
The line as cymbal. The fine, nervous, almost rain-like lines recall cymbal playing, a continuous crackle that lets the sound breathe rather than carrying it.
Space and silence. Miles is the master of what is not played. The large white area at the bottom, also crossed by lines but as if muted, works like those breaths where the music withdraws.
Formal openness. The red frame that does not close evokes the open harmony of the post-bop of that period: a structure that exists, but that one senses could tip over. Here the fall is a suspension...
