Apart Together
,
2026
Patrick Piccinelli
Apart Together
2026
Acrylic paint, collage, pigment, varnish on paper, sold without frame
Acrylic paint, collage, pigment, varnish on paper, sold without frame
65
X
50
65
X
50
Available
€
1,600
Shipping and import duties included
Shipping and returns
- Shipping
- Packed in a double-wall box or a wooden crate and shipped from Switzerland by DHL Express within 2 to 3 days. Delivery takes 2 to 15 business days; the tracking number comes by email.
- Import duties
- Shipping, customs duties and import taxes are paid by us, for every country. Nothing is due on delivery.
- Returns
- An original painting cannot be returned or exchanged. A parcel lost or damaged in transit is refunded in full or replaced.
The connection between my work on paper “Apart Together” and the music of the Jimmy Woods Sextet is both literal and profound—Apart Together is the title of a track on the album Conflict (1963), that masterpiece of advanced hard bop recorded in Los Angeles.
The painting is a collage of rectangular planes of distinct colors, similar to the arrangement of Woods' sextet, where each musician maintains their own sonic identity while participating in a collective whole.
A large portion of the sheet remains white, empty. In Woods' music, these are the silences, the breaths between phrases, the spaces that Andrew Hill creates in his voicings. The white is not an absence—it is structuring, holding the colors together as silence holds the notes together.
The connection between my work on paper “Apart Together” and the music of the Jimmy Woods Sextet is both literal and profound—Apart Together is the title of a track on the album Conflict (1963), that masterpiece of advanced hard bop recorded in Los Angeles.
The painting is a collage of rectangular planes of distinct colors, similar to the arrangement of Woods' sextet, where each musician maintains their own sonic identity while participating in a collective whole.
A large portion of the sheet remains white, empty. In Woods' music, these are the silences, the breaths between phrases, the spaces that Andrew Hill creates in his voicings. The white is not an absence—it is structuring, holding the colors together as silence holds the notes together.
