Estate 3, (That Summer)
,
2026
Patrick Piccinelli
Estate 3, (That Summer)
2026
peinture acrylique, pigment, vernis sur papier Arches, sold without frame.
peinture acrylique, pigment, vernis sur papier Arches, sold without frame.
39
X
31
39
X
31
Available
€
800
Shipping and import duties included
Shipping and returns
- Shipping
- Packed in a double-wall box or a wooden crate and shipped from Switzerland by DHL Express within 2 to 3 days. Delivery takes 2 to 15 business days; the tracking number comes by email.
- Import duties
- Shipping, customs duties and import taxes are paid by us, for every country. Nothing is due on delivery.
- Returns
- An original painting cannot be returned or exchanged. A parcel lost or damaged in transit is refunded in full or replaced.
Artwork inspired by Meredith D'Ambrosio's title: Estate (That Summer).
The artwork on paper is titled Estate (That Summer), a title that, even before viewing the image, plays on a deliberate linguistic ambiguity: in Italian, estate means "summer," while in English, estate refers to a property, an estate, or real estate. The subtitle in parentheses, (That Summer), clarifies the ambiguity and directs the reading toward the Italian meaning, "that summer."
Meredith D'Ambrosio, an American jazz pianist and singer renowned for her understated interpretations and refined understanding of the repertoire, recorded Estate (That Summer) on her album Beware of Spring! alongside a repertoire of songs built around the seasons and the passage of time.
I am referring to a tension common to both the pictorial and musical works, between the apparent gentleness of the word "summer" and the melancholic weight it ultimately carries. In the song, summer is described as scorching, but with a burning intensity that has become painful; the sun, the sunsets, the scent of flowers—all this luminous, sensory vocabulary of the beautiful season is turned against itself, becoming the vehicle for sorrow. A visual work that adopts the same title thus seems to consciously follow this tradition: evoking the warm and luminous imagery of summer (colors, light, atmosphere) while subtly suggesting nostalgia or loss, precisely the strategy of the song, where the beauty of the season serves as a foil for absence.
Artwork inspired by Meredith D'Ambrosio's title: Estate (That Summer).
The artwork on paper is titled Estate (That Summer), a title that, even before viewing the image, plays on a deliberate linguistic ambiguity: in Italian, estate means "summer," while in English, estate refers to a property, an estate, or real estate. The subtitle in parentheses, (That Summer), clarifies the ambiguity and directs the reading toward the Italian meaning, "that summer."
Meredith D'Ambrosio, an American jazz pianist and singer renowned for her understated interpretations and refined understanding of the repertoire, recorded Estate (That Summer) on her album Beware of Spring! alongside a repertoire of songs built around the seasons and the passage of time.
I am referring to a tension common to both the pictorial and musical works, between the apparent gentleness of the word "summer" and the melancholic weight it ultimately carries. In the song, summer is described as scorching, but with a burning intensity that has become painful; the sun, the sunsets, the scent of flowers—all this luminous, sensory vocabulary of the beautiful season is turned against itself, becoming the vehicle for sorrow. A visual work that adopts the same title thus seems to consciously follow this tradition: evoking the warm and luminous imagery of summer (colors, light, atmosphere) while subtly suggesting nostalgia or loss, precisely the strategy of the song, where the beauty of the season serves as a foil for absence.
